The photographs of the architect Alexey Lyubimkin are love letters to the cities he encounters. He unfolds the lines of trees and buildings as though they were simply blueprints of the original city design. His lens is a magnifying glass that scrutinises the things our naked eye cannot see, as he presents the ever changing landscapes.
Borrowing from an old tinting technique, Lyubimkin uses a modern myriad of solero hues. Metallic rain falls in pins and needles over smoothly inked barcodes, finally slipping off the page. Printer margins drag their heels in orange and pink while clouds change like the Northern Lights or a heat sensitive T-shirt. The artist’s preoccupation with colour emphasises the importance of noticing beauty- even to our rat race during rush hour. If we were to look up from the pavement for just one moment, we might spot a streetlamp glancing off the gutter at a perfect angle, or see how branches transform the sky into a stained glass window.
The black and white compositions are poetic views of Italy, from the morning sun on vineyards and cypresses, to the long tall shadows of the afternoon where dark trees and bright clouds copy each other’s airy shapes. Heatwaves and summer storms give way to the far off scattered lights of an evening village. Whilst these works are graphically different to the cityscapes, the artist’s extraordinary sense of wonder is maintained even in the idyllic.
Whether we love or hate where we live, we subconsciously give ourselves context by our perceived relationship to environment. Working out how it all fits together, and then how to live within that space brings a sense of belonging. If we are not present to our surroundings at all then we will always feel at odds- and be homesick wherever we go. The artist gets us standing in place to marvel at those forms around us, and find out our personal geometry. Rolling out the bridges and streets under our feet like carpets, Lyubimkin invites us into the picture- and to finally feel like we’re home.